The K-Drama industry is no stranger to controversy, with shows occasionally facing backlash over historical inaccuracies, casting decisions, and cultural sensitivity. In 2024, several dramas found themselves at the center of heated debates, sparking discussions among fans, critics, and even government agencies. This article explores some of the most controversial K-Dramas of the year and the reasons they faced intense scrutiny.
1. Squid Game Season 2 – Casting and Storyline Concerns
As one of the most anticipated sequels in K-Drama history, Squid Game Season 2 had high expectations. However, even before its release, it encountered backlash over its casting choices and the handling of its new storyline.
Casting Controversy
One of the most contentious issues was the casting of a transgender character, Hyung-ju, played by cisgender actor Park Sung-hoon. Many fans and LGBTQ+ activists criticized the decision, arguing that a transgender actor should have been given the role for authenticity and proper representation. Creator Hwang Dong-hyuk responded by stating that casting a trans actor in South Korea remains a challenge due to industry and societal limitations. While some fans appreciated his transparency, others felt that it was an excuse for the industry’s continued lack of diversity.
Disappointing Narrative
Upon release, Squid Game Season 2 faced criticism for its storyline. Many viewers felt that the new season failed to live up to the first, citing repetitive plotlines and lackluster performances. The cliffhanger ending was also met with frustration, with critics accusing the show of prioritizing commercial success over storytelling quality.
2. Love in the Big City – LGBTQ+ Representation and Conservative Backlash
Love in the Big City, which premiered on JTBC, faced significant backlash from conservative groups in South Korea. These groups protested against the broadcast, claiming that the show’s portrayal of homosexuality would negatively influence children.
Censorship and Age Restrictions
Despite these protests, the series adhered to South Korean laws by imposing age restrictions due to its depiction of sex, drugs, and self-harm. The controversy raised broader discussions about LGBTQ+ representation in Korean media and how such content is received domestically versus internationally.
Cast Response to Criticism
During a promotional press conference, actor Nam Yoon-su addressed the negative reactions, stating he was unbothered by them, as he believed perspectives are ever-changing. This statement was met with mixed reactions, with some praising his openness and others arguing that the industry still has a long way to go in embracing diverse storytelling.
3. The Glory – Violence, Bullying, and Director Controversy
The Glory, a Netflix series starring Song Hye-kyo, faced criticism for its graphic portrayal of violence, particularly school bullying. The series shed light on abuses among South Korean students, reminiscent of a 2006 incident where a middle schooler was severely abused by classmates.
Director’s Bullying Allegations
Additionally, director Ahn Gil-ho faced allegations of past school bullying, which he initially denied but later admitted, offering apologies to the victims. This revelation tainted the show’s message for some viewers, who questioned whether someone with such a past should be directing a series about bullying victims seeking justice.
Public Reaction
Despite the controversy, The Glory remained popular, with many viewers appreciating its gripping narrative and strong performances. However, the discussion surrounding the director’s past reignited debates about accountability in the entertainment industry.
Final Thoughts
The controversies surrounding K-Dramas in 2024 highlight the evolving landscape of the industry, where public opinion, cultural sensitivity, and production ethics play a crucial role in determining a drama’s success. Whether due to historical inaccuracy, casting choices, or industry working conditions, these dramas sparked important discussions that will likely shape future productions.
